Synopsis: After the horrendous murder of her father, Maud discovers she has a grandfather, a noble count living in Paris, where she must now live. There she encounters The Fox, a masked Robin Hood-like rogue – a dashing figure she falls for. While her grandfather struggles to tame her wild spirit and introduce her to Society, Maud rebels by secretly becoming the masked Fox-like marauder – The Scarlet Rose!
Maud une jeune fille rêveuse et éprise de justice, vit en France au XVIIIe siècle. L’assassinat incompréhensible de son père l’oblige à rejoindre Paris où vit son grand-père, un noble dont elle ignorait jusqu’à l’existence. Elle y croise la route du Renard, un brigand des grands chemins qu’elle admire. Mais elle ne sait encore rien du secret que lui a légué son père et que convoite un mystérieux individu.
Commentary: I believe the child version of me would have loved The Scarlet Rose. It has elements that I love which are historical periods, sword fighting, and heroic antics. This book is set in France during the 18th century, and it is a bit of a mystery. Though The Scarlet Rose has elements I love in books, the pacing of the book felt too obvious. I applaud Maud for going beyond and becoming a vigilante due to her obession with the French version of The Zorro, but that’s about it. When reading this comic, I immediately knew who The Fox’s identity was. It could have left some mystery, but that was not the case. Some of the events were a tad dramatic, but a young reader would enjoy it. And by young, I mean like a kid. Though, the costume could have been better. It’s a tad on the gaudy side. None the less, the book was entertaining, but everything was too obvious.
Synopsis: Ghost Stories is a graphic novel collection offering three haunting explorations. Granted the chance to meet three of her dead idols in “Ghost,” the author’s cartoon-self embarks on a journey to remote and unanticipated landscapes, in a story of self-discovery and healing. In “Wallpaper,” a child tells the story of a household move, remodel, and loss through the lens of flashbulb memory. And in “Makers,” two girls with an unorthodox friendship make a rocky transition into adulthood. Throughout each tale, ghosts exist as past selves and remnants of past relationships that are met with inquiry, resolution, and personal rebirth.
Commentary: What kind of comic was this? The stories were not connected, and it was all over the place for me. The only story that was the best written was Makers despite the anti-climatic ending. When I saw the cover, it was gorgeous and simplistic. I wanted to read the book based on the cover. I fell for a cover again. It was a weak story. Assuming that ghost stories was going to be based on ghosts, this book felt like the ideal one for me. Ghost Stories the chapter was okay. I honestly thought that Ghost Stories was going to play a major part in this book. Wallpaper was the weakest chapter. As I mentioned, Makers was a relatable story. It was about friendship and growing apart. I related to it, but the ending didn’t leave satisfaction. Sadly, this book was not my cup of tea.
Synopsis: This is a collection of portraits of 7 women, of all different ages, backgrounds, circumstances and eras. Each one of them is facing a defining moment in her life. They are bound together by the symbol of their femininity: their breasts. We see an awkward college girl getting to grips with her womanhood; a 1960s house-wife freeing herself from the restraints of propriety; the manager of a small underwear shop fighting against corporate giants; a woman nude modeling for an unexpected reason… Love, illness, sex, liberation, sensuality: Olivier Pont draws us into the lives of these women with astounding force.
Commentary: This is possibly the worst comic that I have ever read. The stories were all about women obessessing over their bodies. This was not feminist. This was awful. Though each story took place during different eras, this did not add to my enjoyment level. I almost dnfed this book because my frustrations with the lack of structure and the shallowness portrayed by the characters. Truly awful. I never want to experience reading this comic again. Writing about it is giving me a headache. This is mature and not meant for younger audience.
Synopsis: This synopsis is in French, sorry ya’ll. Soudain, une voix douce L’interpella : “Pourquoi pleures-tu ?” Le petit Loup rouge se retourna. Une petite fille blonde, étrangement vêtue, le regardait avec curiosité. Décontenancé, le petit loup se rappela ce qu’on lui avait toujours enseigné, à savoir “rester loin des humains” ! Mais cette petite humaine avait l’air si gentille, si fragile, qu’il lui fit tout de suite confiance.
Il était une fois… mère louve qui envoie son louveteau porter un lapin à sa grand-mère édentée et bien trop vieille pour chasser. Mais attention ! En chemin, il devra se méfier des méchants humains : le terrible chasseur et sa fille. Sur la route, tout désemparé d’avoir englouti par gourmandise le lapin destiné à sa grand-mère, il rencontrera et suivra bien naïvement une étrange petite fille qui lui contera l’histoire de sa famille, d’un gentil chasseur et de sa femme, qui aurait été mangée par les cruels loups… Dans ce conte sombre, relecture du Petit Chaperon rouge où les rôles s’inversent, deux visions, réminiscences d’un passé cruel, vont se confronter. Mais qui, des humains ou des loups, détient la vérité sur ce souvenir douloureux ?
Commentary: Growing up on Disney and books, my heart is a sucker for fairy tales. Though I am an adult, I’m still a huge fanatic of this genre. Reading The Little Red Wolf was refreshing. It is a retelling of the Little Red Riding Hood, but in reverse. Instead of presenting wolves as the stereotypical villians, that is not the case in this short story. Even though humans are presented as evil, you feel sorry for both parties. This is an endearing tale with an ending to shock you all. The artwork is beautifully gorgeous, and eye catching. The Little Red Wolf presents two perspectives to the story, adding agency to the wolves. I can’t wait to read other works by the author, she is very talented.
Synopsis: From the award-winning author of Princess Princess Ever Aftercomes The Tea Dragon Society, a charming all-ages book that follows the story of Greta, a blacksmith apprentice, and the people she meets as she becomes entwined in the enchanting world of tea dragons.
After discovering a lost tea dragon in the marketplace, Greta learns about the dying art form of tea dragon care-taking from the kind tea shop owners, Hesekiel and Erik. As she befriends them and their shy ward, Minette, Greta sees how the craft enriches their lives—and eventually her own.
Commentary: Wow, I was blown away by this children’s book. Let’s start with what I loved and that was the diversity in race and sexuality. I applaud this book. Besides the cover and lovely artwork, this was one of my favorite books that I have read. This is a charming book, and I can see all the love the author poured into this book. I wouldn’t mind other books in the series, and I loved reading about the dragons. The book covers details about each dragon., Greta and Minette have a cute friendship, and their bond was solidfied throughout the book. This is a highly recommened children’s book. I read The Tea Dragon society when I was experincing a book slump, but this one really helped me out through tough times.